Dublin-based Director of Photography working across commercials, branded films, and performance-led projects. My background in dance shapes how I think about movement, rhythm, and how the camera sits with performance.
I work across commercials, branded films, and performance-led projects, with a strong focus on movement, rhythm, and making images that feel cinematic without losing clarity on set.
I like work that looks strong, feels natural, and is well run on set. That is really the core of what I offer.
For agencies, brands, and production companies that need polished cinematic work without losing efficiency, pace, or clarity on the day.
My dance background gives me an extra edge when performance, rhythm, choreography, or bodies in space are central to the brief.
Available as DOP, Steadicam operator, gimbal operator, or combined DOP/operator depending on the needs of the shoot.
A mix of commercials, branded work, dance, theatre, music, and narrative projects. Just a selection to give a feel for the work.
For full cuts and more work, the full portfolio is on Vimeo.
View Full Work On VimeoThis is probably the simplest way to explain what shapes the work and how I tend to be on set.
I came into cinematography through dance, so I naturally pay a lot of attention to rhythm, timing, and how people move through space. That still affects the way I shoot now, whether it is a dance film, a commercial, or a performance-led piece.
Over time, that turned into something practical on set. I’m usually thinking about how to keep the camera expressive without making it showy, how to support performance, and how to make strong visual decisions without slowing the day down.
I work well under pressure and tend to think fast when something needs solving. Good communication, solid prep, and being able to adapt quickly matter just as much to me as the frame itself.
Dance shaped the way I understand rhythm, blocking, bodies in space, and how movement carries emotion on screen. That background now shows up as a production advantage, especially when performance and timing matter.
I came to cinematography through dance, and that gives me a stronger instinct for rhythm, choreography, and camera timing on set.
I’m a Dublin-based Director of Photography, camera operator, and certified Steadicam and gimbal operator working across commercial, branded, music, theatre, performance-led, short film, and narrative projects.
My approach is built around movement, timing, and control shaped by a background in competitive breakdancing and years of hands-on operating. That translates into better instinct for choreography, rhythm, and how bodies move through frame.
As both a DOP and operator, I focus on creating clean, cinematic visuals that work in real production environments. The aim is not just to design strong images, but to execute them efficiently and consistently when the pressure is on.
I also co-run Fade Street Studios and FruitFrame, giving me a solid production base and the ability to scale projects with clarity and reliability when needed.
I’ve always liked learning properly and staying sharp. These courses helped me build the technical side of the job, but the real value is how that shows up on set.
Cinematography Lab is a side initiative at Fade Street Studios for experienced practitioners who want hands-on testing time away from client pressure.
It sits outside the main DOP offering, but it reflects the same focus on movement, lighting, and practical decision-making on set.
If you’re looking for a DOP or operator for a commercial, branded piece, or movement-led project, feel free to get in touch. A short message with the idea, dates, and location is plenty.